Synesthesia in Architecture: Can Buildings Have a ‘Taste’ or ‘Sound’?

Imagine walking into a building and tasting its atmosphere—perhaps a grand cathedral evokes the richness of dark chocolate, or a sleek modern skyscraper feels like a sip of sparkling citrus water. What if a house could hum like a violin, or a park pavilion carried the crisp whisper of autumn leaves?

This is not pure fantasy—this is the world of synesthetic architecture, where the senses blur and buildings evoke tastes, sounds, and even emotions beyond sight and touch.

What Is Synesthesia, and How Does It Relate to Architecture?

Synesthesia is a neurological phenomenon where one sensory experience involuntarily triggers another. Some people may see colors when they hear music, while others may associate letters with textures or numbers with flavors.

Architects, consciously or not, often design spaces that trigger multi-sensory experiences. Whether it’s the warm, honey-like glow of a wooden cabin or the metallic sharpness of a high-tech building, architecture has always spoken a silent sensory language.

Architectural firms like Superlimão exemplify this by using unusual materials, vibrant colors, and daring compositions to craft environments that stimulate various senses. Their work demonstrates how deliberate design choices can evoke sensory responses, creating a more immersive experience for occupants.

Incorporating sensory elements into design can transform how people interact with spaces. For instance, textures, smells, and sounds can significantly affect a user’s experience, making the interaction between people and the built environment deeper and more meaningful. archdaily.com

Can Buildings Have a Taste?

If flavors could be translated into structures, how would they manifest?

  • Baroque Palaces – Like a layered mille-feuille, they are rich, decadent, and full of detail.
  • Brutalist Concrete Towers – Bold and unfiltered, perhaps the bitter bite of black coffee.
  • Minimalist Japanese Tea Houses – Subtle and intentional, like a perfectly brewed matcha.
  • Venetian Villas – A fusion of textures and colors, reminiscent of tiramisu.

Certain materials and designs evoke taste through association—smooth marble may remind us of cool vanilla ice cream, while rough brick may bring to mind the crusty warmth of freshly baked bread.

Can Buildings Have a Sound?

We don’t just see architecture—we hear it. The acoustics of a space, the materials that absorb or reflect noise, and even the subconscious emotional responses they trigger all contribute to a building’s “sound identity.”

  • Gothic Cathedrals – A deep, resonant organ note, echoing into eternity.
  • Glass-Walled Modernist Homes – The light, tinkling sound of wind chimes.
  • Industrial Warehouses – A repetitive mechanical hum, the rhythm of a factory at work.
  • Ancient Temples – The low, grounding resonance of a monk’s chant.

Frank Lloyd Wright famously emphasized “organic architecture,” where buildings harmonize with their surroundings. But could they also harmonize with soundscapes, as if composing a symphony in physical form?

Experiencing Synesthetic Architecture in Everyday Life

Even if you don’t have synesthesia, you can train yourself to perceive buildings beyond sight:

  1. Listen to a Space – Pay attention to echoes, silence, or the way sound bounces off materials.
  2. Taste the Atmosphere – Not literally! But think: does a room feel like crisp champagne, or warm cocoa?
  3. Touch with Your Mind – Imagine how a building might feel even if you don’t physically touch it.
  4. Observe Emotional Responses – Some buildings feel heavy, some uplifting. What “color” would the feeling be?

The Future: Designing for the Multisensory Experience

What if future architects deliberately designed buildings to evoke specific flavors and sounds? Imagine an art museum where each gallery has a distinct “taste palette”, or a concert hall shaped to enhance the sound of a particular genre.

As we move toward more immersive and sensory-rich environments, synesthetic architecture might redefine how we engage with the built world—not just through sight, but through a symphony of senses.

Sylvania Peng
Sylvania Peng
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